Curated by Melanie Johanson, From Ordinary To Extraordinary: Paper As Art at The Cornell Museum of Art & American Culture - 23 May - 24 Aug 2014 at the Delray Beach Center for the Arts. Link to exhibition and info: Cornell Museum.
This premiere exhibit features
approximately 75 exquisite works by 16 artists, who have been featured
in galleries around the world. The artists in the show all use paper in one form or another to unfold a visual and narrative that is particular, enticing and extremely rare in these days of digital everything. Cutting, scratching, painting, sewing, wrapping and gluing all come together in what is clearly a well imagined exhibition.
Four works of mine are on view at the Cornell Museum in Delray Beach: Moneygram (2013), Second Nature (2009, 12:05 (2003) and Letters Home (2013). My work here is represented by Converge Gallery of Williamsport, PA.
Several of the pieces were on view at my wall to wall exhibition, The Letters in the summer of 2013. A full catalog (PDF) is available here: The Letters.
These works each have a story that might prove interesting. Here is a little bit about each:
Left: Letters Home; right, Second Nature, exhibition view, Cornell Museum, Delray Beach, FL
1. MONEY GRAM: From The Letters exhibition in 2013, "Money Gram" is a sewn together "collage" of currencies real and
antique, a global note on bank notes that takes a hint from Warhol's
dollar signs but conceptually calculates not only the many hands in the
art game, but the international tenor of the market place. The "gram"
rubber stamped and then monogrammed onto the work indicates (beyond the
pun) that it was mailed (or wired). Money in the mail from the world
over. Calculating the face and current value of the currencies is part
of the work as the values change; money is a changing asset, and
sometimes valuable sometimes worthless.
2. SECOND NATURE: A classic collage work that brings together
favorite subjects : women playing at being women, wearing masks and
dancing to the male gaze. The elements of "Second Nature" all come from
vintage 1950s Swiss lifestyle weeklies the artist bought at a massive
street fair in Geneva.
3. 12:05. I've always been attracted to 1930s surrealism and this
piece combines a few elements into a simple gesture that talks about
time and timelessness, motion and stillness. There's a dash of de
Chirico in here and while the boat is not the Titanic, it might as well
be. The collage has been featured in a half dozen magazines and books.
Right: 12:05, collage on board, exhibition view.
4. LETTERS HOME: This work consists of the envelopes of letters sent by
a young French soldier (in 1948) from Algiers to his parents in Paris. I discovered them in an old warehouse junk store, bundled together and
unloved and immediately I saw the piece unfold before my eyes for my
The Letters exhibition: Letters Home.
The letters reported his daily
routine and were sent like clockwork over a period of two years. I was
moved by their unconscious boredom. My guess is this was the first time he
was away from home, but also serving the French army in a hot spot
colony of North Africa. I created a grid of them and asked my local
seamstress here in Paris, Madame Yann, if she would sew them together
following my chalk drawing of a house. She did and even obliged me by
signing the back of the work (in Chinese).
All enquiries : John Yogodzinsky at Converge Gallery. Press: Sun-Sentinel Article.